I just got back from watching September Dawn. Before 2001, a reference to a historical tragedy in American history with the date of September 11 would have caused one to recall the Mountain Meadows Massacre instead of the World Trade Center. September Dawn is, therefore, the movie about America’s first 9/11.
The historical foundations can be summarized as follows. A wagon train of emigrants from Arkansas and Missouri was enroute to California through the Utah Territory in 1857. In September, they reached Mountain Meadows. On September 7, the train was attacked by people appearing to be Paiute Indians. On September 11, Mormons (led by John D. Lee) under a flag of truce convinced the emigrants to leave their weapons and belongings behind so they could be escorted to a nearby town under the protection of the Mormons. After the group had travelled a short distance, the Mormons killed all but 17 children who were deemed too young to talk about what had happened. It is estimated that about 120 men, women, and children were killed during that five-day battle, most of them on September 11. Only one person was ever tried, convicted, and executed for his role in the massacre: John D. Lee. He was executed at the spot of the massacre over twenty years after it had occured (justice was delayed due, in part, to the outbreak of the Civil War).
As with all movies that are fictionalized accounts of historical events, September Dawn suffers from a few plot gimmicks. For one thing, the writers had to introduce a Romeo & Juliet aspect to the film–an emigrant girl (Emily) and Mormon boy (Jonathan) who fall in love with each other. This part of the plot was, in my opinion, not very well done. It tended for the overly sappy and felt like a deliberate attempt to try to put a human face on the tragedy by making you care about two particular characters.
But of course the reality of the Mountain Meadows Massacre does not need a fictionalized couple to bring home the impact of what occured. The actual scene of the massacre was shot very elegantly with a well-done musical score underneath it. With the attention to the historical accuracy of the events of the massacre, it is a shame the movie had to revert to Hollywood-isms with Emily and Jonathan. The movie was better off without the cliché.
The movie also suffers because there is a huge amount of historical context that has to be compressed into a two hour long movie. While Brigham Young’s sermons were excellent for providing the appropriate Mormon theological context (and it should be noted that virtually all of Young’s comments were taken from source material–the movie even opens with the exact text of the deposition of Young for Lee’s first trial), one is still left wondering why it was that Mormons only massacred this specific wagon train. There were no other events of this nature during time, so why did it happen in this instance? That question may not ever be fully resolved, and an attempt is not even made in the movie.
Despite these shortcomings, overall the movie is well done. The movie does an excellent job of portraying the differences in the theology of Mormons and Christians–and this is something that is generally not done these days. The normative rule is to make movies that show Mormons as being basically identical with Christians; this movie shows Mormons speaking openly of their cultic views. As a result, this movie will almost certainly offend Mormons, although I discovered that the lines that were most offensive were the lines that were direct quotes of Brigham Young, so how far this charge can go is left to be seen.
Additionally, the movie actually makes a strong case for sola Scriptura, although I’m sure that was not its intent. The Mormons are led by direct revelation that only their prophets and apostles can know. There is one particular example in the film, beginning with a scene of the emigrants in the wagon train who have been attacked for four days reciting Psalm 23. The next scene, the Mormons are given their orders from the stake president to kill all the emigrants. Lee, after reading the letter, responds that he cannot carry out what is asked of him. The messenger responds by gathering the Mormons to pray, and after a moment of silence he says, “God has given me evidence. We are to carry out the attack exactly to the letter.” Of course, this evidence is not provided–it was a revelation that only the messenger knew of.
While this is a fictionalized account (we don’t know what really happened or how high up into the LDS church the orders for the massacre rose), the theology of Mormonism was accurately portrayed. The difference between those who can hold equally to the communal revelation of Scripture (the reading of Psalm 23) and those who have to rely on the testimony of an apostle of the LDS church (without any miraculous signs to verify it, or anything of that nature) cannot be more explicilty demonstrated.
Finally, the historical reality of plural marriages in the Mormon Church, and the nature of women as second-class citizens under Mormonism, was also equally portrayed. While it is true that women in general were not regarded very high at the time, under Mormonism (where Young, for instance, had over twenty wives) they fared much worse.
So how do I rate this movie? Well, for historical accuracy, it gets an A- (it was well-researched but took some dramatic liberties). The script as a whole is a solid B. The acting likewise earns a B. The directing was very well done, especially the way the massacre scene was demonstrated, so I give the direct an A.
On the whole, I’d give the movie an A-.





