I’m getting ready to head off to bed right now, but the wind outside the window is gusting quite nicely at the moment. It reminded me of my walk home after I got off the bus (I live about a quarter mile from the closest bus stop).
First, however, I should point out that I was offered a ride home when I was still at work, due to the weather. But sometimes it’s nice to just go out in the cold and snow. It definitely provides a feeling of isolation so you can clear your mind (which is especially useful after a hectic week of work). Since I wanted to do some thinking, I declined the offer of the ride and simply walked to the bus station. It actually wasn’t so bad then, but that’s because when you’re downtown the buildings help to shield a lot of the wind.
But my stop is in a fairly open place. There are some houses around, but that’s not the same thing as having multi-story buildings blocking the wind. So walking from the bus stop to my house was actually kinda brutal since I had gotten used to the warmth on the bus. It was one of those bone-chilling winds too, the kind that cut right through everything you’re wearing. Case in point: I was wearing my heavy coat, a flannel shirt, and a t-shirt underneath that, and when I got ready to jump in the shower after I got home, my skin was cold to the touch anyway. It was that kind of wind.
It was so cold, in fact, that as I shivered I shook so hard I almost threw up. We’re talking about massive global warming going on here, in other words.
Oh well. That’s not really the point of why I’m writing this now. Instead, it harkens back to my “soul searching” that I got to do while I walked. I’ve mentioned a few times how these past weeks have been odd lately. Nothing too major or anything, it’s sort of like looking at the world with a slightly crossed eye or something. It just looks a bit wrong, but nothing in particular jumps out at you.
I think a large portion of what I’m going through has to do with my finishing of Public Transit. The only other book that I’d published before was The Outlaw, and I tried to re-read that the other day and I was like, I can’t believe I actually left this cheesy line in there. I think my friend Travis paid me the highest compliment (since he’s read both) when he said, “I can tell you’ve grown in Public Tranist because it’s so much better.”
I do think Public Transit is the best work I’ve ever written. Not that that’s saying much right now. But it’s a difficult book for two reasons. The primary reason is that it’s literally impossible to talk about Public Transit with anyone else unless they’ve read the whole book, because to go into the details that make it good you have to give away the ending. I’d give an example of what I mean…but that would give away the ending.
But the second reason relates back to my own history. Faithful readers of this blog know about my past fight with depression. Well, I wrote the first draft of Public Transit in just over two weeks in February of 2005. June of that year is when I was diagnosed with major depression (although later I found out that this was somewhat of a misdiagnosis, since I really had sleep apnea which caused sleep deprivation, which was what caused my depression). In any case, I wrote Public Transit when I was on the brink. I was just about to plunge into depression, but hadn’t yet done it. Public Transit was, in some ways, my creative effort to try to stall the impending doom.
While Public Transit has changed greatly since that first draft (I’ve had about six different endings, and I’m finally happy with the one I’ve got), I suppose it still is a little bit of a reminder of what happened to me then. Couple it with the overtime we’d been doing at work leaving me exhausted, and I wonder if some of the reason why the weeks have felt so surreal is because a part of me might be reminded too much of what happened three winters ago. I don’t think that’s all that it is, nor even necessarily a big chunk of it; but I think it is contributing.
Although to be honest, now that I’ve written about it it doesn’t feel like it matters as much either. And in reality, it might just be that because of how bad the memories of depression are and it’s coming up on the shortest days of the year I’m just afraid that there might be some relapse when in reality there is nothing at all.
But there’s something else with it too. I’m a writer; writing is what I do. Language is my playground, but it’s also my paint kit. And maybe my problem is that I need to convey this story to others. Maybe I’m tasting just this little glimpse of weirdness to remind me of the past so that I can help others through it the way I’ve come through it.
I don’t know if that’s the case or not. In many ways, my “soul searching” didn’t end when I got home. Perhaps the reason why I’m writing this now has nothing to do with the wind blowing outside my window after all.